Blessed with natural musical talent and the uncanny ability to nurture her gift through a relentless pursuit of inspiration, Sista Stroke is an emerging force in modern
underground music. Her musical roots grow deep and span across the boundaries of genre and geography. She is a child of the b-boy generation whose journey though life has included living
in Houston, San Antonio, Panama, McLean (VA), most recently Chicago, and now Los Angeles. The rich cultural textures of these cities reverberate in her music.
Sista Stroke came up musically as a member of the legendaryRebel Crew,a musical family founded in Houston in the mid 80s
by Joe B. and Rick Partida. As part of the Rebel Crew she played styles ranging from Hip Hop to Dance Hall, Jungle to Jazz, and Breaks to House always remaining anchored in soulful music.
Her skills did not go unnoticed and she soon developed a following which called her to the road. In virtually no time Sista Stroke developed a hardcore fan base in cities around the United
States, England and Mexico. She is known for beatin it hard, yet strokin' the soul with an incredibly moving blend of deep, funky, and spiritual house music (however, she has more than
just house in her arsenal).
She has often been booked to open for various acts, ranging from house to hip-hop, such as Afrika Bambaattaa, The
Executioners, Tortured Soul, King Britt, Derrick Carter, Joey Beltram, Donald Glaude, DJ Dan, Method Man, Boo Williams, Mark Farina, Kaskade, and Super Jane (Lady D, Colette, Dayhota, and DJ
Heather). However, she has now become a headliner herself through consistency in her DJing and a growing discography.
As a producer, Sista Stroke has found a place musically where she can truly explore the depths of her creativity.
In 2004 she became the preeminent in-house producer/remixer for Mother Tongue and Innuendo Records. Over the past five years she has released records on Mother Tongue, D'Lectable Rec, Dusttrax, and
Hook-Up Tunes to name a few, along with some of the most sought after white labels in the industry. Through her original creations and remix work, Sista Stroke has made a name for herself
in underground music. She is now poised to make her mark on the industry with projects on Revolutionary Music as well as several other lucky labels. Her releases on Revolutionary Music
range from House to Hip Hop to down-tempo.
We understand that with this fourteen year veteran, there can't be any rules. You just have to let her play, put your hands in the air, and
yell "Stroke This!". For more music to preview from Sista Stroke, go to www.Revolutionary Music.com.
I am please to announce that on October 29, 2008, Blackliquid & myself are kicking-off a new monthly residency at an all-new spot in downtown L.A.!!!
Little Tokyo House Sound is located in the heart of the up-and-coming Los Angeles downtown area, and offers a full menu and fully-stocked bar. Our night will included NO COVER, plus $2 Beers $4 Drinks for all!!
Can't wait to see you on the dancefloor!
Peace, love, and nasty beats that make you wanna move,
I am pleased to announce a new monthly that I will be a part of starting October 2, 2008.
Blackliquid and myself will be hosting our monthly event at Mountain Bar, which is located off the CA 110 N., in gorgeous Chinatown.
With wicked music, blinding drink specials, and like-minded music lovers such as yourself kicking it and enjoying the sounds, I'm positive that you'll be back for more!
Can't wait to see you on the dancefloor!
Peace, love, and nasty beats that make you wanna move,
I'm coming atcha' with another little something. This mix has been posted already; however, if you'd like a copy of your own "Sunday Stroke: The Dirty 30" mix that you heard on the Sexual Toast podcast, you can click on the link to download.
"Tonight we welcome to the studio a first in what is sure to be a riveting series of guest mixes. Sista Stroke (Revolutionary Music, Rebel Crew, D'Lectable, Chi/Fi, Knockin' Boots, DustTraxx, Hook-up Tunes, et. al.) is just one of those people that does it and the people involved with this podcast right. A truly inspiring lass in the Chicago house tradition, it's our pleasure to give her a big smooch and welcome her to the studio for a solid mix that is sure to keep you movin' wherever you at."
This is just a little something I did for DJ Blackliquid's Radio show, here in Los Angeles, called "L.A. Nights". And I wanted to share it with you, plus anyone else that you think may need some Grit in their lives .... You can click on the link or the pic to listen:
Sending you nothing but love.... Hope you enjoy the mix ... I had too much fun making it!!!!!
Get your House on - With love ... Sista Stroke
"Put Some Grit In It" Track listing: 1) Talk About It (Sista's Backseat Banger) – Backseat Bingo 2) Knee Deep Funk – Mr. Patron 3) Hipshaka' (Chuck Love Bidness Class Dub) - Slater Hogan & John Larner 4) Reach - Christian Malloni 5) Freak … Rock tha' Disco Nights (Sista's "Freak" boot) – GQ 6) In and Out (BHQ TV Track) - Home & Garden with Chez Damier 7) Don't Stop The Music – Bugz In The Attic 8) Unknown Track 9) I Heart Bougie (Ken ECB Flip No Flop Mix) - Ken ECB 10) Gimme Luv - OFS & Oh Dee 11) The Word – Steve "Silk" Hurley 12) Dancing Moves (Giom) – Smart Dog 13) Pump Dance (Sista's Chi-town Hustle rmx) – OGC 14) Unknown Track 15) Golden Life (Sista's Golden boot) – Jill Scott
Marvin Gaye once said, "I felt the strong urge to write music and to write lyrics that would touch the souls of men".
April 1st, 2008, marked the 24 yr. anniversary since the world lost one of the greatest soul singers it had ever heard. As I was sitting here reading about the latest on the insurgents in Iraq, the loss of more lives in a war that’s not just senseless but unnecessary, the possibility of a first black president-elect, Obama, and thoughts on what Martin Luther King Jr. would think of the state of our world today had he lived, I can’t help but wonder what Marvin’s take on all of it would be. How would he write about it lyrically? What sort of music and rhythms would accompany these carefully written lyrics, to ensure that what was being said was not only being heard - but felt as well? It’s not like he hadn’t done it before when he produced and wrote the critically acclaimed album, "What’s Going On". And this is the part where we remember just how great a man, Marvin Gaye, truly was:
Through his music, Marvin, expressed his fundamental human traits with unabashed shame ... his message of love, understanding, hope, human kindness, joy, the celebration of sexuality, and courage was delivered to masses that needed that "something" at that moment. In 1971, at a time when most of the Motown artists were still singing about love and crushes, Marvin went against the Motown formula and took an 180-degree turn with the album, "What’s Going On". This politically charged album threw the frustrations of racial brutality, suffering, and injustice back OUT to the citizens of a country that was not only torn by the loss of lives in the Vietnam war, but broken-down from fighting brutal racial brutality, suffering, and injustice in THEIR OWN backyard, schools, diners, and, well, the list goes on really. Marvin’s vision of this album wasn’t what Barry Gordy was accustomed to; it was too "new" in it’s ambition, and the concept went against a "sound" that had been carefully crafted and honed for years. In other words, it threw hopes of "commercial success" to a side that Barry Gordy just wasn’t willing to put Motown’s name on the line for. But Gordy eventually came to give in, and what came next was not only ground-breaking in style, but ground-breaking in introducing a whole new sound of music that was not only playable, but gave the listener something to think about as well. After "What’s Going On" immediate success as the fastest-selling single, artists like The Temptations and The Four Tops would soon start experimenting with the same jazz and classical music sounds they’d heard in "What’s Going On". Do your homework: go back and listen to these groups BEFORE that album, and then take a real close listen to how they sounded AFTER that same album. You can’t deny that [singer/producer/songwriter] Marvin Gaye had brought something new to the table .... and that’s without even mentioning what was going on in the streets. If you had a radio, skin of color, and any sense of awareness, then you were tuning into a new state-of Conscious F.M. that was coming over the frequency of a new horizon ... People everywhere were waking-up; music was seeping in politically charged "we’re not gonna take it anymore" and "lets just have a good-time" anthems, and awareness levels - on MANY levels - everywhere were rising. And it’s not like people everywhere weren’t awake already, but more like they had just been sorta "groggy" and walking in a daze. The hippie era of "tune-in-and-tune-out", "Stop the War", and "free love" had come and gone leaving a residue of restlessness and a false-sense of "everythings going to be OK now’. If you look around in the news, in our presidential hopefuls, and in your own communities you can literally see that nothing much has really changed. We’re still restless and we’re still under the blind assumtion that everything’s going to be ok. Sad, isn’t it? We must aspire to be a world who no longer confuses mature hope with naive audacity, and until we can be selfless instead of selfish - as a whole - we won’t see the change we’re so longing.
So with this tribute to Marvin, I choose to remember him for the consciousness he brought to a public that needed it right at that moment. He opened the minds and ears of so many people. He opened many doors for people of all walks of life! People that went on to make large strides in life, people that are still influencing the world we’re [trying to live] in today. He taught us that, "war is not the answer .. For only love can conquer hate", and with his lyrics of, "Talk to me, So you can see, What’s going on ..." he taught us that through communication came a better understanding of each other as humans - not statistics, not numbers, and not what you read or hear about in the news. But at the end of the day, the single most important teaching of Marvin’s for me was that it all came down to one option, one action, that would signify all it would take to make a change. And that was, "Find a way".
Here’s to you Marvin .... R.I.P. ... and "In the mean time..." it’s a huge, "Right on, baby...". Right on.